Not a bit. He's not a man, a "hominem". He's a fictional character. I can have no particular opinion of him as a person, since he isn't one. Rather, what I have to do is take what Shakespeare gives me to know about him, which is exactly what I have done. I think I'm being very faithful to Shakespeare's intention in my analysis.Belinda wrote: ↑Thu Sep 26, 2024 4:44 pmBy all means remember the context of the soliloque as quoted, but you have judged him ad hominem .Immanuel Can wrote: ↑Thu Sep 26, 2024 3:28 pmI did say that one definition is that "time is the measure of our proximity to death," I believe. But it's a cynical and rather narrow definition...certainly not complete in itself.Belinda wrote: ↑Thu Sep 26, 2024 11:17 am That was well quoted by you, Immanuel Cant. And here is the same idea by the best wordsmith :
Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
Remembering that human lifespan is also a measure of time.
It's not bad, though, to remind ourselves of the context of this soliloquy.
This is the utterance Shakespeare wrote for a corrupt and murderous tyrant, who, at the end of his failed reign, has come to realize that everything he was pursuing was empty. Bereft of friends, his wife dead, his subjects trying to murder him,and having made a recent trip to depend on witches for wisdom, he's arrived a point where he's prepared to "try to the last" his decisions. As he said earlier, "I am in blood / Stepped in so far, that, should I wade no more, / Returning were as tedious as go o'er" (III. 4.136–8) He's had it with life, with ambition, with everything.
He's not acutally a spokesman for all humanity, or for all experience. He is, really, a representation of the self-willed despot, the man who thinks he can control his own destiny, and that no moral bounds can be allowed. He's been a pre-Nietzschean, really: and he has no sense of duty to man and no relationship to God. Like Raskolnikov in Crime and Punishment, he banished morality, took his own life in his hands, and then has found that it all went through his fingers.
It's a great lesson. But to understand it, we need to keep his words in the context for which Shakespeare designed them, do we not?
But literary figures can be judged differently, depending on what you select. If you believe that Macbeth is a common man, or a beloved monarch, or something even more extraordinary, like a postmodern housewife from Dallas, then all I can say is that I think you've left Shakespeare's intention completely behind. I would rather stay with the character Shakespeare has invited us to confront.
He was only capable of the "ideas" Shakespeare wrote for the character. Unlike human beings, he had no potentialities outside of the narrative. But is his idea "wise," or is it only "wise-given-the-set-of-circumstances-of-Macbeth? You might find an echo of his words in your own experience, but others, myself included, only recognize the shadow of unfortunate others in his words; we don't live there, nor do we believe he's right, nor do we experience his despair. But we admire Shakespeare's grasp of the human condition of despair, though we no longer feel it.Macbeth, like most every on else, made a tragically bad choice but was nonetheless capable of having a wise idea.