The in love phenomenon is ecstatic. It's a leaving of self to join with another self. That's why The Ecstasy of Saint Teresa by Bernini is about her loving to her climax and also about her climactic devotion to God.Belinda wrote: ↑Tue Jan 10, 2023 2:15 pmAlexis Jacobi wrote: ↑Tue Jan 10, 2023 12:20 pmThe strange thing, even for those who allow the concept of god & soul, is that Dawkins with a reference to ‘delusion’ is not wrong. And he is strongly right.Immanuel Can wrote: ↑Tue Jan 10, 2023 6:55 am
A concept with no referent is a nothing. It's what we call a "delusion." So you're on the same page as Dawkins et al.
It is likely that most men cannot go deeply inside their god-concept since doing that, analytically, tends to wreck the conceptualization. So believers return to an inner contemplation and subjective relationship to restore their ‘experience’ of divinity. It is acutely personal and subjective. And as such prone, certainly, to delusion.
But then so too is our subjective ‘interface’ with the reality we envision. Our ‘metaphysical dream of the world’. A man without a ‘dream’ is not a man really. He’d be an AI.
Existence, being — these have no explanation. You can only stand before the magnitude of what this is. Yet man explains and conceptualizes. I think this is Lacewing’s core assertion in a nutshell.
In a sense relationship to god is like the sentiment of being on love:
Delusion, delirium and even the sort of thinking that results from extreme, protracted pain. You have to take these things into consideration when contemplating “man and his belief”. You cannot not think about them.Not lost, although I long to be
Lost as a candle lit at noon,
Lost as a snowflake in the sea.
The corollary to that truth is that neither sexual passion nor love of the Good is accessible only through reason and intellect unless those are yoked to the entirety of nature, including man's nature as an animal that loves.
William Blake too often reverts to that theme when he points to man as an animal that loves ; for instance in his poem The Sick Rose , Blake mourns the death of innocent animal nature poisoned by a culture of commercial profit.
Wordsworth too was on to that vision: "shades of the prison house" that were bars against the innocence of the growing boy.
Here is the whole poem by Blake that expresses the scene most graphically
I wander thro' each charter'd street,
Near where the charter'd Thames does flow.
And mark in every face I meet
Marks of weakness, marks of woe.
In every cry of every Man,
In every Infants cry of fear,
In every voice: in every ban,
The mind-forg'd manacles I hear
How the Chimney-sweepers cry
Every blackning Church appalls,
And the hapless Soldiers sigh
Runs in blood down Palace walls
But most thro' midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear
And blights with plagues the Marriage hearse


