Dubious wrote: ↑Mon Apr 04, 2022 8:20 amNo, I have not read Terence McKenna, deciding it would be a complete waste of time after taking a "look inside" into one of his books. I forgot which, it was a while ago. There are many other good books that reward reading. Hallucinogenic perceptions of reality don't interest me...though in one instance I do agree when he writes the world is "a weird, weird place." You don't need drugs to make it any weirder! He comes across as an interesting fellow without much interesting to say.
In relation to the on-going conversation, which seems to hold our attention and also seems to be a conversation capable of a good deal of expansion, I find two ideas in those McKenna quotes to be of especial interest. One is his assertion that it is possible that *everything we know is wrong* and the other "You are a divine being. You matter, you count. You come from realms of unimaginable power and light, and you will return to those realms".
Taking that last idea and exploring it, the question I ask is what result would it have if a person internalized this idea? That is, believed and going further actually understood (since *belief* is fragile) that indeed they did come from something of that sort and would return to it. What I am getting at is, say, the psychological effect on the person. Because, obviously, what is communicated in that statement -- it is very declarative -- is a connection to something eternal.
Another part that interests me is related to what I had quoted on another page:
Nietzsche’s response to having lost faith,
but not being able to live without it,
was to invent the figure of a 'new creator'
someone who could bring together Man and World once again.
In order to do this, man had to begin to think through his own existence:
the heaviest burden of all.
What I take this to mean is that though the horizon had been erased, and as a result nihilism loomed, that people in many different fields and areas of concern and activity began to explore different, alternative and also contrasting and conflicting avenues of growth. I assume it is obvious to you that Hesse *encountered* Nietzsche, as so many arists and philosophers did, and that Steppenwolf is an extended conversation or exploration of Nietzschean admonitions (if you'll accept the sense of that word). I am not so much concerned what Pablo actually had in those vials as I am with the sense, which I think you also grasp, that Hesse is talking about a man who was imprisoned in a painful way. I am not sure how to characterize or condense the existential situation of the protagonist -- Hesse seems to do that all through this work (and much of his other literature).
So the more interesting idea is not so much that Terrence McKenna used psychedelics to explore aspects of being, but moreover that people in the 20th century, and possibly under the effect of a close reading of Nietzsche, began processes of what I have described as 'a return to the body'. You spoke of a realization (from your reading of Nietzsche) about an awakening to the extreme importance of protecting the Earth. Similarly, I would say that the same sense could only be applied to the person, and to *the body* -- to actual temporal incarnation as the venue for anything we could say is important. In this sense a
transcendentalism, an otherworldliness, can be described as a neurotic escape. One rather plain meaning in Nietzsche is that we do not really have an alternative but to return to real life within our
real frame -- the body, the Earth, our concrete being here.
To think through our existence -- the heaviest burden of all.
The reason I referred to McKenna is because Castaneda had come up after Huxley had come up. And Huxley too, very strongly, encountered Nietzsche and pushed through in relation to many of Nietzsche's admonitions. I did not bring this up to condone or recommend the avenues that they explored necessarily, and my interest is wider: that all sorts of avenues
did open up.
So in this sense both
The Doors of Perception and
Steppenwolf had a crucial, indeed an axial, influence on culture. Huxley wrote
The Doors of Perception in 1954 and Hesse
Steppenwolf in 1927. The ideas that later moved the culture (for good and for evil as is always the case!) originated in influential people who took their explorations seriously. So again i
deas have consequences. While I am not attempting to intertwine whatever the intentions of these two writers were, I would certainly suggest that both of them became interested in processes of dissolving boundaries, confronting conventions that *imprison* or constrain, and who suggested the possibility of a wide range of avenues and alternatives for a given being to explore life, incarnation, being, reality, meaning and all the rest.
Dubious wrote: "Also, Steppenwolf is an extremely well-written novel which never made the mind deforming assumptions caused by a drug induced brain. At most, it refers only to casual drug use among other methods like sex to get Harry back on track to a normalcy, the lack of which he suffered from for most of his life. It's a complex novel, more psychological than psychedelic. Why you mention it as if it had any affiliation with Terrence McKenna seems to me a very much misplaced comparison."
What I will mention to you, and I assume you will be able to discern that to say this is not advocacy, is that right now, today, there is a contemporary movement advocating for the use of psychedelics as a way to unblock people's blocked selves (?), to experience (as I recently read in the NYTs article about the use of the toad-poison hallucinogen) a 'complete reset' of one's operating system.
Now why is this coming up? Cannot that be examined independently of advocacy for this or that avenue? this or that action? Certainly it can. Now why is it that people seem to feel that they are at their wit's end and need such a dramatic 'reset' at a personal, psychological, internal, social, and existential level? Can that be talked about? And what constraints should be placed on the conversation in the largest sense?