Maybe I don't know what you're asking. I would basically be defining what accuracy is, though presumably you know this already, which made it curious that you asked in the first place. The standard for accuracy is that the presumably accurate thing gets right, or matches, what it's about.Londoner wrote:Very amusing. And what is the standard for accuracy?
The idea re nominalism is simply that two perceptions are not literally the same, that is, they're not numerically identical perceptions. "Same" can imply that to people who are not nominalists. I just want to make it clear that I do not mean "same" that way, since I'm a nominalist.Can you express that thought more clearly? I am particularly mystified by that reference to 'nominalism'.
I'm assuming you understand the idea of "qualitative" in general. So in other words, an 80db sine wave @ 10,000 hz is played and both A and B perceive it. They're either qualitatively the "same" (in quotation marks because they're not numerically the same perception) or they're qualitatively different.What would, or wouldn't be a 'qualitative' difference in hearing?
What I was emphasizing was that we know the differences in dog's hearing is in the vein of them being able to hear different frequencies than we hear, so say up to 30,000 hz or whatever it is (I don't recall what their range is, I'd have to look that up again), and being able to hear quieter sounds than we can hear, so that they could hear a 5 db sound at a hundred feet or whatever it is.
Those are not qualitative differences in hearing. We can't know whether there are qualitative differences in hearing between us and dogs.
Well it doesn't for the reasons I explained.
It doesn't not undermine it because of anything to do with people listening to stereos because it's not at all about that.
Either you believe that stereos (via the recording process, etc.) can accurately capture the sound of a band at the point of the microphones, etc. or you do not. You said that you believe that it can. That undermines the argument.
Maybe you'd want to change your answer to "it cannot," and you'd want to say that instead, what a stereo presents is a "mixing board only" creation, where that has an indeterminate relationship to the band.
It's up to you. But that's why I asked you this.
The problem is that the analogy has nothing to do with humans listening to stereos. So any comment on it in this vein simply doesn't understand what I was asking.All it says is that, in an individual . . .
<sigh>You keep mentioning things like 'representationalism' in your answers, as if we were supposed to understand something from it.
You mean to tell me that you're debating philosophy of perception with me and you haven't even the faintest idea what representationalism is?
C'mon, man. A lot of what I'm talking about isn't going to make much sense to you if you're not familiar with standard philosophy of perception literature, and a lot of other stuff I'm talking about isn't going to make much sense to you if you're not familiar with other specific philosophical literature. I don't mind explaining stuff, but arguing with me like this when you're not even familiar with the issues from an educated philosophical perspective is kind of ridiculous. You'd not be understanding a bunch of stuff I'm saying, but you'd be brushing over that and arguing anyway.
I'm not saying anything like "I'm right because I know more about this with respect to academic philosophy," by the way. It's rather that it's extremely frustrating to attempt to have a discussion like this where I'm talking about it in that context, yet you're not really understanding a lot of what I'm saying, but you're not telling me that, and you're mostly responding as if you do understand it but you're just being difficult or odd, and then I have to basically keep repeating the same points in other words hoping that it will sink in if I just say the same thing in a slightly different way.