Ah, this post again!!
iambiguous wrote: ↑Mon Jun 19, 2023 10:55 pm
Taylor Swift’s Liar Paradox
With the help of renowned logician Taylor Swift, Theresa Helke introduces four fundamental paradoxes: the Liar, Epimenides’, the Truth-Teller, and the No-No.
Consider the following statement:
“All the liars are calling me one.”
It’s a lyric. The singer-songwriter Taylor Swift sings it in ‘Call It What You Want’ from her album Reputation. In doing so, Swift states that all liars are calling her a liar. We shall call this statement ‘Swift’s Statement’.
I think that sentence communicates just fine and I'm not convinced by the very odd argument in the linked article that it is a paradox, even the truth teller version. Anyone in her audience would know what she meant - even if they don't know the specific spat. People are trash talking her and those that are are liars.
What this exposes, in my view, is just one particular context in which human language gets all tangled up in its own inherent limitations. Like Nick Lowe suggesting that "all men are liars and that's the truth".
And there we have a paradox. We cannot come up with a message. Unless the context made it clear. Like if he means that at some point all men lie and the situation is him breaking through to a more sincere communication in general.
All the seeming paradoxes -- Swift Statements -- that can pop up:
* Save money by spending it.
Could easily not be paradoxical in context. If the author is suggesting buying Gold suggesting that over time this will earn more interest than in a bank. That's one possible situation. There could be others. Including psychological reasons why in the long one one develops a different relationship with money and this saves money. Perhaps they are right, perhaps they are wrong, but the sentence can be meaningful in context. Or it could be paradoxical.
* If I know one thing, it's that I know nothing.
Yeah, paradoxical. But then that's taking it completly literally. We are not saying these things in scientific papers. We have dozens of tropes in English: hyperbole, metaphors, metonomies and so on. Meaning is conveyed in complex ways with some types of language. Here the idea is that the person has some strong caution about assuming they are right or know a lot or cannot learn from someone, etc. And context could make this clearer.
* This is the beginning of the end.
Jeez, even take it literally and it makes sense.
* Deep down, you're really shallow.
It's funny, but it could be easily non-paradoxical. Perhaps they read great literature, but only to get sex - it works wherever they are. And so on. They seem, on the surface, to have what are considered deep interests, but actually they are in the interest of what are considered (by the speaker) as shallow goals. Has no interest in the characters, themes, beauty of a work of literature, but likes walking around the quad reading Tolstoy and can manage to answer basic questions about the text.
* I'm a compulsive liar.
Perfectly clear sentence, for example, in the context where someone has been confronted by a group of irate family members and stops pretending they are honest and say that. A transitional sentence.
* "Men work together whether they work together or apart." - Robert Frost
If it came from a poem, who knows. But an easy meaning can be that we are always collaborating, even when alone. We have read books, heard people say things, and build on the knowledge of others, even when alone and not always consciously. Of course it depends on the context.
* "What a pity that youth must be wasted on the young." - George Bernard Shaw
Not a paradox. Youth - healthy, energy and so on is wasted on those without the wisdom to use it well. Unless we take youth to necessarily include the cognition and priorities of young people. And that's what he meant.
* "I can resist anything but temptation." - Oscar Wilde
He can resist oppressors, boredom, bad ideas, but not a sexy man.
* Here are the rules: Ignore all rules.
Yeah, that's a fairly paradoxical imperative.
* The second sentence is false. The first sentence is true.
Likewise. Also a real timewaster. At least with the penultimate Swiftism, we could in many context understand the suggestion.
And on and on.
We can make sense of them given particular contexts, but they often prompt us to pull back and recognize the seeming contradictory point that is being made.
Ah, good, yes contexts can make sense of them. That's true for nearly all language. We need the contest. 'It's him.' is pretty meaningless.
But also...
We can make sense of them given particular contexts, AND they often prompt us to pull back and recognize the seeming contradictory point that is being made.
Or, in some cases, we can't make sense of them at all.
Sure, communication can fail and sometimes it is not even intended to succeed.
Now, our task here is to think about these paradoxes and attempt to situate them out in the world of our own interactions with others. At what point do we get "stuck" and recognize that there is no definitive understanding of things as they are objectively?
It's unclear, I think, if you mean 'There is no definitive understanding of how things as they are objectively.' And you mean this is true in general. Or you mean that sometimes it is hard to have a definitive understanding, etc.
I don't see the existence of paradoxical sentences supporting, in the slightest, that we cannot have definitive understandings. But perhaps you just meant there are situations where we can, and these were some examples.
That, in other words, language itself can only go in so far in regard to establishing the most rational frame of mind.
Hard to disagree with something so vague.