Arising_uk wrote: ↑Tue Aug 29, 2017 6:59 pm
Belinda wrote:That would be great if a little like what Rousseau thought. Trouble is that the kids arrive at school primed with a variety of narratives that don't fit the 'secular' model of critical evaluation which they are suppose to learn at school.
Sorry but what are you talking about?
I thought that "Just teaching------ to paint and draw and leaving them to get on with it" referred to children at school following their own immediate desires with no urging from teacher to apply themselves to something difficult, new, challenging, and necessary for their future success and happiness such as maths, science,logic, physical education.
To expect the child's inherent possibilities to be sufficient to educate the child is what Rousseau tried with Emile, according the the story which I vaguely recall. This childish freedom from cultural influence stemming from family, geography, climate, social class, wealth or poverty, availability of fresh air, etc etc. is a myth, a thought experiment with no facts to justify it.
The following quotation from Rousseau chimes with Nick:
"Everything is good as it leaves the hands of the Author of things; everything degenerates in the hands of man".
The child arriving at school is required, or should be required to learn critical thinking in science and life events. This can't be accomplished in many cases until the child learns the way of thought of learned people which in many cases is opposed to popular ideas. Popular religion, popular scorn for abstract ideas and vocabulary , social class loyalty, for instance, have to be, not so much unlearned, but retained alongside the novel insight of objective and critical reflection.
Family influences are particularly strong, and rightly so. However family influences have to be set aside and sometimes discarded if the child is to become educated. I cannot see that drawing and painting accomplish anything more than emotional catharsis unless drawing and painting are accompanied by ideas including scientific ideas, and at least some ideas about uses of paint, pencils,and perspective, and introduction to famous artists' uses of same.
Nick's insistence upon one particular set of ideas is not unlike the 'secular' educational model in that both Nick's m odel and the 'secular' model instill ideas into the child. My point is that the child is not a tabula rasa but is already primed with ideas from infancy, and skill with drawing and painting or any other technology is not enough, either for Nick or for 'seculars'.
Apologies, if the above reads like a lecture. I am just trying to be as concise as I can. Arising_uk has already written to the effect that the curriculum should include difficult stuff.