bahman wrote: ↑Tue Apr 05, 2022 11:00 pm
trokanmariel wrote: ↑Tue Apr 05, 2022 10:14 pm
bahman wrote: ↑Tue Apr 05, 2022 6:46 pm
Ok, we will wait until May 28th.
Politics is an option, of how to reply to the initiative to wait.
By politics, the system in question is what will happen to everyday people between now and May 28th. On the one hand, there's the supermarket identity of people, in which they go to the supermarket once a week, informing the week reality. On the other hand, there's all the individual units, that make up the emotional macro (a E love gift from myself, to Peek-A-Boo, who is God).
At a different point in time, this time that is, I want to address the ultimatum identity of the May 28th wait. I'm not presuming that you are distributing one, just the philosophical need to "explore" the identity-abstract "existence" of one (an EE gift, to Susan Norton from King's novel Salem's Lot, and to BB, Bonnie Bedelia).
The convention, is that come May 28th, if there is no universe-shift, I apply to loss. The meaning, of this, is that the science of language is in cahoots with the outcome of the loss. In other words, anti-climax is the professional status quo of the universe.
The reason for this, is that applying to loss is safety from loss, and my technical survival from may 28th - on the condition of nothing happening - is in alignment with the safety.
Could this possibly mean, that a double system in Hollywood is awaiting May 28th?
In Amityville 2 (1982), Adamski, played by James Olsen, touches wood twice, while standing next to Sonny, who is being haunted. After touching the wood twice, Sonny immediately feels ill again. The alignment between Adamski's double tap and Sonny's resurgence of illness feels like a 4th wall metaphysics.
When Alan Jonah lets Emma Russell go, in Godzilla 2, without condition, he does so as part of a double system: Emma references "two" children.
In Dora and the Lost City of Gold, Eva Longoria's character double taps her husband, played by Michael Pena, as the two see the gold treasure.
On the assumption, that something has been accomplished here, what is it?
What's the identity, of the trajectory from general logic to general deviance?
Is it a coincidence, that I started with an EE system, and ending up with an EE system?
For my friend, from my school years, Laura McCaffrey, and for my current master Terry Howletrax.
My friend you left me with lots of questions with your cryptic language.
In general, I was happy with the quantity from absence system that I created, from your May 28th comment.
Quantity from absence: the natural dichotomy, of skill.
I used a skill, and am happy with it. However, the link between the outcome of happiness and the double tap system that was referenced means that I feel a new bequeathment, to the double tap system.
The double tap system:
to me personally, it is the undoing of the forces that govern me, as it is anti-climactic.
I use the term this way:
Anti = opposes
Climactic = a reference to the editions of climax, thus, the logical means of fallout from the editions themselves.
The forces, that govern me, granted some of them, can either just be a strand of code of cynicism, or can be a macro reality which possesses all of the codes of cynicism.
Now, the following step, from this acknowledgement, is does the either or question pertain to the dynamic of needless work?
Another question:
One of the people, who I've become privy to, over the past two years, is the magic version of Jane Levy's character from 2013 Evil Dead.
Specifically, the scene where Levy's Mia is in the car, smiling at her brother.
In ensuing time, from the recent history, the magic person - who I call "I Di" - has become developed to embodying the theme of materialism from gothic. You see, i have a co-ordination process, in my mind, run by the people of my mind, and it tells a story.
What piques my interest, is the idea that I Di's attachment to the materialism angle is an edition of the angle.
I suspect, that underlying my picqued interest, is the symmetry to the deconstruction of horror horror.
The haunted house generic, of wherein all units of the house can be exposed, (an Alex Cross attribute - from the same mental operation process).
By exposed, I just mean that anything within and part of the haunted house experience can be turned into reality.
What are your thoughts?