Dubious wrote: ↑Mon Aug 08, 2022 11:52 pmMuch more than metaphysics (which explains nothing), physics, etc., in all its capacities is the art by which all things created get examined which doesn't render it less mystical than any of your metaphysical pretensions. Only then do we face the real mysteries of nature; not the ones we manufacture.
While I understand and also acknowledge that in your way of seeing and explaining things 'metaphysics' is not a category you consider real, I simply do not think your position is logically tenable. The error you express here, just now, is in setting up a false dichotomy between what is physical and what is, according to the definition I employ, metaphysical. I say that both are plainly real. But I do say, and repeat, that the only way to know about metaphysics is to examine causation. That is why I referred to the tea ceremony.
The tea ceremony is a highly ritualistic process; the Japanese have always been extremely ritualistic and formal in their society. To truly understand it requires knowledge of each movement in its performance not only in its execution but also in its meaning. No one questions the formality, the power of ritual on the psyche and the necessity for its performance. Art can also be qualified as a revelation of it. One can even extend its formality to the universe as a cosmic tea ritual. If you insist on calling that kind of experience metaphysical in the sense of aspiring to fixed eternal values which preexist humans, that depends entirely on your belief preferences being not unlike theism.
I think you have missed the point. However I also am aware that the point that I make cannot be seen by you given your adamantine predicates. And that is actually the thing that interests me more: how the determinations that are made on a mental plane influence and determine what we allow ourselves to understand (and understand is used in a special sense). The best way to illustrate what I wish to refer to is to quote Blake:
“This life's dim windows of the soul
Distorts the heavens from pole to pole
And leads you to believe a lie
When you see with, not through, the eye.”
I fully recognize and I grasp with no doubts of any sort that if Blake is correct in what he is saying that it requires another man who sees
similarly to agree with him. I also understand that this seeing, if indeed it is
seeing (and not projecting and hallucinating) is a problematic epistemological zone. I grant this fully. What I wish to accomplish in bringing this out is to demonstrate that what we are dealing with are irreconcilable existential and perceptual modes. Will I ever be able to *convince* you to see differently than you choose to see? That is doubtful.
But it is not completely impossible that, with more explication, more understanding, of what happened and why it happened, how it came about that metaphysical categories were supplanted by the epistemological categories that you now favor, that I might be able to influence someone else (the not-you!) to understand what is lost when the relationship to the *upper world* is cut.
But most importantly I have to make the case I make essentially to myself. That is why I said to Harbal that the function of my (or our) argument has a great deal to do with creating conceptual defenses against this mode of thought that you represent. And that is why I speak in terms of seeing ourselves as outcomes, as products of ideological processes. I cannot say that everything about this shift is negative, no, but a good deal of it has negative ramifications and consequences.
And I have made the assertion that when you examine, at the essential points, the position that Harbal defines and defends (his existential position) that it is not hard to see it as a degeneration. And having been influenced by Weaver and the notion that ideas have consequences, I am, logically, concerned to be able to see and describe how this has all come about.
You have -- of course! -- totally missed the point that I wanted to make about how a form of ritual, because it is contemplative and what is contemplative in this precise sense is what stands behind religious performances, is the place where one can see the invisible (a transcendent idea and a metaphysic) expressed in human behavior, in art essentially. What you do is focus on the exterior ('seeing
with and not through the
eye') and so all that you see, which is also what you won;t see, or cannot see, or perhaps refuse to see, is the way that the expression reflects an idea (a set really, a complex) that can only be understood as metaphysical and transcendent. And when it happens, and it indeed does happen, that no one is there who can understand what is going on in the rite, and when the viewers of it no longer understand, that is a result and a consequence of a break or a severing from the appreciation, the grasp, of the principle involved.
And when that happens what results is a breakdown of all that which allows a high art to exist. But the tea ceremony is just one revealing ritual. When this happens on all levels it is then that truly horizontal man occupies the present, indeed determines the present. His mode of seeing is 'vulgar' in the honest sense of the word. The way he sees (with and not through the eye) drags down the other possibility of a ways and means of seeing that requires, literally, a man of another sort.
Therefore, the Kafka story An Old Manuscript, is a relevant and revealing anecdote about a specific consequence. It has to do with
debasement.
With all the reading that you do, it's especially important to have one's Bullshit Detector on at all times.
Allow me to respond ("Oh! you were finished well allow me to retort!) by saying that by putting it in these terms you are not dealing
responsibly with an important, a crucial, topic. So I have no option but to regard the position you take as crucial to examine, and indeed I have been doing this for many years now (in my reading).
This is why it seems that the differences we are dealing with on this thread -- insurmountable, consequential, ultimately having to do with foundational perspectives -- become so acute and show why there are ideological wars going on all around us.
Bullshit is not the right word though. Because directive, conceptual orders of ideas actually determine the *world* we live in the term bullshit it far too crude, far to general. Perspectives
are engineered for a whole host of reasons (political ideological, etc.) and these need to be seen and understood.