uwot wrote: ↑Sun Jul 10, 2022 5:04 pmIt is an interesting page and it would have been a splendid exhibition to go to 16 years ago had I been in LA at the time. Yeah, Christian iconography is beautiful and fascinating. I have a Madonna and child triptych above my telly as I watch the Wimbledon final and respond to you.
There are moments -- here in this present conversation -- where I notice things and desire to make some comment but then find that organizing what I am perceiving seems quite difficult. It is really my own problem to solve of course. But I will try to address 'the surface' first and then move to 'the depth'.
I find it highly ironic in a truly postmodern sense that you refer to an image of Mary over your TeeVee while you simultaneously watch a tennis match and comment on a philosophy forum! This is an *image of your life* or it could be taken as such. I know that in our day and time that such blank contrasts are nothing unusual, and I know that in your understanding of things -- completely and thoroughly on the 'other side' of any religious or mystical affiliation with former symbols -- that the irony I notice could not be irony for you. But the point I want to make has to do with the Image of Mary as
having had a profound depth. My point of reference is Gertude von le Fort's
The Eternal Woman which is a depth meditation on the mysterious aspect of symbolic woman from a Christian/Catholic perspective. As I was trying to widen my understanding of Catholicism I read it some years back. I was impressed by its connotations which are so contradictory to the modern *image of woman*. I cite this as just one example of 'shifting metaphysics' but certainly not a minor one.
When The Eternal Woman was first published in Germany, Europe was a battlefield of modern ideologies that would sweep away millions of lives in war and genocide. Denying the Creator, who made male and female, Nazism and Communism could only fail to appreciate the true meaning of the feminine and reduce woman to a mere instrument of the state. In the name of liberating her from the so-called tyranny of Christianity, atheism, in any form, leads to woman's enslavement.
With penetrating insight, Gertrud von le Fort understood that the war on womanhood, and consequently on motherhood, always coincides with an attack on the faith of the Catholic Church, which she embraced at the age of 50 in 1926. In The Eternal Woman, she counters the modern assault on the feminine not with polemical argument but with perhaps the most beautiful meditation on womanhood ever written.
Taking Mary, Virgin and Mother, as her model, von le Fort reflects on the significance of woman's spiritual and physical receptivity that constitutes her very essence, as well as her role in both the creation and redemption of human beings. Mary's fiat to God is the pathway to our salvation, as it is inextricably linked with the obedience unto death of Jesus her Son. Like the Son's acceptance of the Cross, Mary's acceptance of her maternity symbolizes for all mankind the self-surrender to the Creator required of every human soul. Since any woman's acceptance of motherhood is likewise a yes to God, when womanhood and motherhood are properly understood and appreciated, the nature of the soul's relationship to God is revealed.
I realize that it appears that I have been edging toward a position that denies the essence of Christian revelation, and therefore appear to have been mocking my own former *commitments*, and this is true in one sense and untrue in another. My position is that 'the picture' (that is the structural edifice of Christianity) is the vehicle through which invisible and even ineffable truths enter man's world of perception. As the Stories are undermined by variegated processes -- those that have produced modernity -- the first order of effect is that intellectuals and those leaders of culture lose the capability of receiving and grasping those *truths* to which I refer.
Especially on lower planes of intellect -- among 'the masses' -- the loss of relevant Symbols is a veritable loss because, it seems, without the restraining symbol the most vulgar appetites rise up and consume the individual's consciousness. This individual is then *empowered* by many gross impulses and simultaneously becomes a victim or a pawn of a range of powers & forces that seek to dominate and control him since there is so much to be extracted from him in a 'consumer culture'. The extent of this abuse and manipulation has no limit. And one end-point is an administrative state through which absolute forms of coercion are manifest and become real possibilities.
I am working with some ideas proposed (in too dense prose which I find annoying) in Phillip Rieff's book
The Triumph of the Therapeutic (1965).
What interests me is, as well, your incapacity to grasp what Nick is trying to communicate. I am interested in exploring (obviously for my own benefit) why this is. My view is that you, Uwot, as a philosophical intellect are yourself an outcome of the destruction of the capability to grasp symbols, symbolic content, and thus the metaphoric content that these encase. Your world is therefore a bit like the image you presented: a man writes superficial commentary, a sort of debased philosophical commentary, while the former image of the Mother of God hangs over the TeeVee on which the Wimbledon tennis-match plays. You must admit it is a ripe image!
This will seem as if it is some type of attack against you personally (though you seem capable to shrug anything off and have always a cleverish retort) but it is not. It is a commentary on the loss of capacity to grasp complex meaning. Once the symbolic is undermined the natural result is that the meaning encased in it and expressed through it is seen as *unreal* and also without value. In any case this is how the Vulgar Mind reacts.
So what I try to express is what happens -- what is happening -- when The Culture loses its former moorings
within and
to symbolical structures through which these *meanings* were conveyed. Once Vulgar Man has lost the connection it seems to me that it is hard indeed for it to be reestablished in him. And as I say there are so many forces and powers that have an interest in 'taking him over' and (as Nick makes plain) keeping him in that Cave in which he is controlled and not free.
Thus culture as 'beast' is a
meaningful metaphor.
Instruments of the State, the cave of disempowered thralldom, those 'cages of subjective assertion', the loss of a unifying metaphysics, and the atomization of individuals into varying forms of empowered meaninglessness -- it is these things that stimulate a range of concerns about our present which, as I often perceive, you seem to have no concern for at all.